Wednesday, February 17, 2010

"Club Social" 5"x7" oil on canvas

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These roses still look good after purchasing them 10 days ago.   I decided to show them in the glass vase I've have them in.   Here I'm attempting to paint them with loose brushwork.  In order to do this I removed my glasses and this captures pretty well what I saw.   I went for color value and no detail.   Maybe if you remove your glasses it will look good to you too!
My blog: http://claudiahammer.blogspot.com
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Tuesday, February 16, 2010

"Father & Son" 7"x5" oil on canvas.

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Found these two in my tool box the other day.  I love painting tools and probably have enough to last me my lifetime.  I chose this orange background because the turquoise blue handles pop out.  The father is showing his son how to hold the marble gently but firmly.
My blog: http://claudiahammer.blogspot.com
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Monday, February 15, 2010

"Bud & Rosie have a tiff" 5"x7" oil on canvas

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Due to a snow fall during the night, I cancelled my class this morning.   You know how some days the painting comes so easily and other days.....this was one of those days.   Setting up took me about 1.5 hours.   Couldn't decide what to paint, nothing excited me.   The roses still looked pretty good so I worked on that.   It was a comedy of errors getting everything right.   My canvas fell to  the floor twice and I accidently touched the rose and it flipped into the air and landed on the floor next to my canvas.  Ready to paint and my easel slipped down 2", by the time I was set up I was thinking I should be done by now.   Started out with high hopes, was going to keep it loose and free.  Towards the end I think I had a few strokes too many.   Although the values look right when I take my glasses off.
My blog: http://claudiahammer.blogspot.com
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Saturday, February 13, 2010

"Rosy Morning" 6"x6" oil on canvas

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The roses are holding up very well, so I thought I'd do another.  To talk a bit about the composition a minute, the top side of the cup handle where it is attached to the cup is lined up on the 1/3 over - 1/3 down mark and the center of the rose where all the petals come together is on the 2/3 over - 2/3 down mark.   I tried the flower in different positions and finally came up with this solution and I think it balances nicely.  Of course there would be many other composition solutions but this is the one I chose (and I'm sticking to it!)
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Thursday, February 11, 2010

"Bloomin Roses" 6"x6" oil on canvas

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The roses were out from yesterday's set up and I thought "why not do another one".   This time I picked a light blue background and wanted to show the stems in water.  I love how they are refracted.  
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Wednesday, February 10, 2010

"Rosy future" 6"x6" oil on canvas

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I went to the grocery on Monday to get food before the snow came and as I passed by the flowers I noticed these "Garden Roses" (obvious name) and they were so beautiful I thought I could try and paint them.  Brought them home and put them in the refrigerator.   I was thinking that I was really smart in doing so until I saw them this morning and realized that not only did I forget they were in there I also noticed that I did not put them in water.   Fortunately they were in good condition.  I think I recorded too much information on them but they were fun.
My blog: http://claudiahammer.blogspot.com
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Tuesday, February 9, 2010

"Crystal Clear" 6"x6" oil on canvas

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I've been painting these daily paintings about 10 months now and I am beginning to realize that I like painting some things more than others.   A cup of coffee is one thing I like to paint, maybe it is the circle I find pleasing.   Now that I look at it the marble is a circle too!    
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Monday, February 8, 2010

"Maltese" 8"x8" oil on 3/8" wood panel.

Available for $160, contact me.
Have you ever seen a dog this white?    Amazingly this little dog was this white, of course it was being shown and had to look it's best.     Looks like they had on eye makeup.   The original 8"x8" oil painting  is $150,  an 8"x8" canvas  print is $25,  a 8"x8" paper print is $15.
My blog: http://claudiahammer.blogspot.com
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My email: iclaudiahammer@insightbb.com

Saturday, February 6, 2010

"A good match" 8"x6" oil on canvas, with Demo

Available for $100, contact me.

I chose the dominos on this one because of the color and graphics.  I have a demo of this below.


Demo
Some of you have been asking about my view finder and process.   This is process has evolved from when I started and I was just simply observing and sketching, to what I now do using my view finder.   Some of you might find it helpful, some will find it too much information, some of you will want to delete it and the rest will think I'm off my rocker and should be in the loony bin.  But here goes..

This is my view finder for my square pieces.  I use it for my 6"x6" and it can be used for any square format.  The inside square is smaller than 6x6 it is actually 4.5"x4.5".   I Threaded heavy black button thread through little holes I made on the 1/3 increments.   Taped it off on the back with clear packing tape to reinforce it.  I like this method because there is not clear plastic to distort the image or get dirty.

This is my view finder for my 5"x7" and 6"x8" pieces.    Here again the opening is smaller, it is 5.25"x3.75".  It is constructed in the same way but I now have divided it into 4th on the long side and 3rds on the short side.

This is original view finder before I made the ones above.  You notice that the strings are not there I just relied on the markings on the side and the opening is actually 5"x7".   I quickly found that this was just too big and I could not get the tight close cropping I wanted.   By making the opening smaller worked better for me.   A lot of people use those small grey adjustable view finders which are very useful and are great for travel.

Here is my 6"x8" canvas, it is actually an Ampersand Gessobord that I have glued canvas on and painted Golden Acrylic N6 Neutral Gray for an under painting. (I don't always put the grey on when I do portraits.)    I used to just put the paint marks on the edges (as shown)  but now I put a light pencil line across.  I fine it more accurate.    Today I did both just for this demo.

You can see the two extra marks I have put in place, these are my line up marks for this painting.   When I looked through my view finder at the set up I liked it when the lower edge of the cup rim lined up with the 1/3  down - 1/4 over mark.   I also noticed that the handle of the cup lined up with the 1/3 down - 1/2 over mark.   These are going to be my key points that I look for when lining up the view finder every time I look through it while blocking it in.   After I block it all in (5-10 minutes) I put the view finder down and don't look in it again.

I always start with the place that have the key line up marks.   This time it is the cup.

Then I start branching out and put in marks for the saucer.

I don't know why I put in this picture it seems redundant now!  But here it is.  You will have to excuse the way these pictures look.  They have a fish eye look about them because I was too close and lazy to get out the tripod and set it up behind me so I could zoom in.   Oh Well, now you know I'm lazy.

Using the grid I blocked in the dominos and shadows

I blocked in the hearts because the white color is more sensitive.  (If I were to do the red first it would turn to pink on the edges when I put in the white.)    I blocked in the shadow hearts in the shadow color of white. (some form of blue/purple since the light source is yellow)

Thank goodness the blocking is now done!   Now I get to the painting portion.   Here again I started with the cup because I wanted to establish the yellow white of the cup and shadows.

Blocked in the shadow white.

Painted in the white hearts and started painting the red shadow area.

Painted the light red.   You will notice that I have been painting the "first stroke is the last stroke" method.   In other words when I figure out the color value of each area and stroke, I lay it in that color value so I won't have to go back in and "fix" or adjust it later.   Not to say that I don't do this at times, in fact you will see that I did this a little in the end on this painting.   But for the most part I paint these daily paintings "first is last".

This is the final signed painting.   I painted in the dominos and made some subtle changes in the saucer and cup shadows.    Another 2 hours of my day, I got a painting done and listened to 2 more hours of my  audio book.  (Currently listening to "Dark Angels" novel by Karleen Koen.)

My blog: http://claudiahammer.blogspot.com
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Friday, February 5, 2010

"Jessica in red" 6"x8" oil on canvas


I tried today to keep the cool side of the face cool and dark enough.   Jessica is such a good model, holds the pose and has such a good attitude.    We had fun today, laughed a lot.   
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Thursday, February 4, 2010

"Mix it up" 6"x6" oil on canvas



Available for $100, contact me.

This was my mother's G.E. mixer from the 50"s and I still use it today when needed.   I chose this view because of the wonderful green on the inside of the bowl and the reflections and shadows cast by the beaters.   I also did a demo of this painting.  See below.   
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"mix it up" Demo

I thought I'd show a demo of doing today's painting because as many of you know I'm always changing and "mixing up" the way I do things.   Always trying to improve what I do, trying to make it better, not always succeeding.  Here is what I've been doing of late.

#1.  I put a layer of #6 grey acrylic on my canvas, over top of the gesso.  This fills in the texture of the canvas and gives me a middle tone to work values on.   Then I lightly pencil in a grid of 2" squares .    This grid coresponds to the view finder that I use.   I make one out of black cardboard and put a heavy black quilting thread on the thirds.   I move the view finder around to block out all the unnecessary noise around the area.   I try to see it as a finished painting.   When satisfied with the composition I quickly sketch in the objects.   This takes about 5-10 minutes depending on the complexity of the layout.

#2.  I start blocking some light values to show form and contrast and some middle tones.  The sensitive colors and/or sometimes the colors that set the mood of the painting.   I mean really, lets get to the excitement!

#3.  On this painting, the bowl had a definite black edge and made such a strong graphic shape in the painting that I wanted to block it in to get the shapes going.  

#4.  I decided to paint in the green and the grey beaters because they are the focus of the piece.  At this point I feel that I'm almost done!  What an illusion!

#5.  Here you see that I've painted in the mixer middle color values and started painting in the background because the colors that are next to one another affect one another.   As many of you know from your color theory studies.

#6.  After covering the canvas I go back and tweak the color values where needed and add a few highlights.

#7.  When I feel that I'm through I sign the painting and then I'm really done.   Except wait!   I left off the highlights on the beaters.  (you will see where I put them in the actual painting that I posted)  Whew!  There is 2 hours out of my day.
My blog: http://claudiahammer.blogspot.com
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Wednesday, February 3, 2010

"Spiderwick Adventures" 3 sizes of giclee prints available



This is a revision of pricing.   When talking to my photographer/printer the other week, I either misheard or he misquoted the price.    Anyway the prices are less than I originally quoted.

"Spiderwick Adventures"  Giclee prints are available, here are the sizes:    
(11"x14" -  $60),  (16"x20" -  $90), (original size, 22.5"x30" -  $150). 


I did this drawing for and invitational show at the Carnegie Center, New Albany Indiana in January 2008.   The family in the picture live down the street from me and the dog is my Shih Tzu, Whirly Girl.    When the family came over to pose Whirly Girl jumped right up and got comfortable.  She loved it!   The original drawing was accepted in the Water Tower Regional Art Show and I won a Merit Award for it today at the opening.   The original charcoal drawing is 22.5"x30" and is available for $3600.

My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
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My email: iclaudiahammer@insightbb.com

"Bull Terrier" 12"x 12" oil on museum wrap stretch canvas

Available for $275, contact me.
This is an oil painting on a museum wrapped stretched canvas and is painted on the sides as well.  Ready for hanging.    I know these dogs have a bad rap but I find them friendly and clownish.   Very curious, just like other terriers.   I wouldn't want to provoke one.   While working on this painting the sheen of the wet paint was getting in the way of see the color.   I couldn't see if it was white or blending with the grey too much.   When this happens, and it often does when working wet into wet, I get out a soft, flat sable brush and lightly, oh so very lightly like a feather, smooth out the brush strokes.   This takes away the raised up lines that the brush makes so that the light hits the canvas more evenly.  I can see then what color I really have.   I don't like to do this much because I like seeing the paint stroke, but today I was trying to paint it as my daily and needed to get it done.   So here it is.
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Saturday, January 30, 2010

"Great Dane, blue" 12"x12" oil on museum wrap canvas

Available for $275, contact me.
Started this painting last year and set it aside, so today I thought I would finish it.   I'm feeling under the weather today and did not feel like starting a new painting.   I will decide tomorrow if I'm having class on Monday.  Think I'll put my feet up and knit.  
My blog: http://claudiahammer.blogspot.com
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Friday, January 29, 2010

"The red sweater" 8"x10" oil on canvas


I've noticed that the pictures I post don't show the detail in the brushstrokes or slight changes of color like the original painting does.   Our model showed up today on this very cold 20° F morning with her winter hat and layers of clothing.  These Friday model sessions are really helping me to get more for less.   I get more color, more untouched brushstrokes and the essence of the pose with less time.   I used to paint the  model in two sessions, now I try to get it in one and move on.
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Thursday, January 28, 2010

"Brittany Spaniel" 8"x8" oil on wood panel

Available for $160, contact me.
I'm gearing up for the Kentuckana Cluster Dog Show here in Louisville Kentucky, March 17-21, so I will be working on a few new pieces to add to my collection of pet portraits.   You can see more of my pet portraits on my website (listed below).   This is the painting I've been working on today.   It still needs a few more touch-ups but mostly it is done.   I took this photograph of this puppy last year at the Cluster Show, he was such a sweet dog.   This painting is on a 3/8" wood panel.
My blog: http://claudiahammer.blogspot.com
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Wednesday, January 27, 2010

"Peony" 6"x6" oil on canvas

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These vases are large, so I had to step back from the set up to get a good cropping.  Wanted to keep this one loose so I used large brushes.  I have been using Silver Bristlon, brights lately, sizes 2 through 10.  They do tend to take paint off as much as put it on.   Regular bristle brushes lay the paint on better but it hard to get a nice sharp edge.  I go back and forth.    I like using brights and sometimes flats because you can work wide or make a thin line.  Very rarely do I use a filbert or round.
My blog: http://claudiahammer.blogspot.com
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My email: iclaudiahammer@insightbb.com

Tuesday, January 26, 2010

"Parrot Lamp" 6"x6" oil on canvas

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Some friends came over today and admired my lamp, so I thought I'd make it my daily.  Funny how I don't consider looking into other rooms for victims to paint.  Got it photographed just before the light went.  Ten more minutes and I could not have gotten it done.  Unfortunately the dark does not photograph well in any light until it is varnished.   I felt it had to have the dark background in order to have the light glow.
My blog: http://claudiahammer.blogspot.com
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Monday, January 25, 2010

"The Odd Couple" 6"x6" oil on canvas

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They were indeed an odd couple.  He was short, wide and had one leg because of a fishing accident.   She was tall with broad shoulders, always wore bright red and attracted much attention.  They were both strong and appreciated each other's attributes and comfortable with each other's silences.
My blog: http://claudiahammer.blogspot.com
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Sunday, January 24, 2010

"Spiderwick Adventures" 11"x14" giclee print from an original charcoal drawing






I did this drawing for and invitational show at the Carnegie Center, New Albany Indiana in January 2008.   The family in the picture live down the street from me and the dog is my Shih Tzu, Whirly Girl.    When the family came over to pose Whirly Girl jumped right up and got comfortable.  She loved it!   The original drawing was accepted in the Water Tower Regional Art Show and I won a Merit Award for it today at the opening.   The original charcoal drawing is 22.5"x30" and is available for $3600.My blog: http://claudiahammer.blogspot.com
My website: http://claudiahammer.com
My ebay store: http://stores.shop.ebay.com/claudiahammer
My email: iclaudiahammer@insightbb.com

Friday, January 22, 2010

"Ali" 6"x8" oil on canvas


This is the second of two sessions that Ali has posed.   Last time I did more of the figure so this time I wanted to concentrate on the head.   I think I captured her coloring.   She is such a good model.   While I was there I leaned on a cabinet and it broke.   Now I have to appear there tomorrow with glue and clamps in hand.   By writing this down will make me remember to do this.
My blog: http://claudiahammer.blogspot.com
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My email: iclaudiahammer@insightbb.com

Thursday, January 21, 2010

"Cinched again" 5"x7" oil on canvas

Available for $100, contact me.

Yesterday's set up was still there when I walked into the studio and I thought I might try it again with a different cropping.   I like both equally.   I like the way this one fills up the space.  Almost didn't get it photographed because of the dark day.   But the storm let up and that was my window of opportunity.
My blog: http://claudiahammer.blogspot.com
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Wednesday, January 20, 2010

"It's a cinch!" 6"x6" oil on canvas

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This is my Barry Kieselstein belt wrapped around a small paper bag.  It's a small version of a larger version I did  a couple of years ago.  the black packground is made up of ultramarine blue and burnt sienna (Windsor  Newton).
My blog: http://claudiahammer.blogspot.com
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My email: iclaudiahammer@twc.com

Tuesday, January 19, 2010

"Hard pill to swallow" 6"x6" oil on canvas

Available for $100, contact me.

The other day I posted a painting of an old torch (Rudolph) and asked anyone if they could see the reindeer.   A number of you saw the reindeer, some of you didn't and one of you saw a chicken on a fence.   So now I think it is a chicken on the fence and I should rename it.   Any suggestions?  I also didn't know what the torch was or did.    A friend emailed and said it was used for melting solder and lead as well as heating materials to be less brittle to curve.   It was fueled with gasoline and extremely hazardous.   I don't think I'll be using it any time soon.
My blog: http://claudiahammer.blogspot.com
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Monday, January 18, 2010

"Coiled" 6"x6" oil on canvas

Available for $100, contact me.

When I paint dark areas I rarely use black paint.   Instead I use a mixture of Ultramarine blue & Windsor Newton Burnt Sienna.  I find that the WN brand is more translucent than the others.   Recently they changed their mixture and it is not as translucent as it was but it still works.  You can get a good range from brown to dark brown to black.   The more blue you use the blacker it becomes.   In this painting I used WN burnt sienna from an old tube so the blackish color was easy to get.
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Sunday, January 17, 2010

"Rudolph" 7"x5" oil on canvas

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I think this is some sort of torch.   You fill it up with fuel, pump it up and adjust the flame.   What it was actually for I don't know.   Maybe one of you knows and can tell me.   I called it Rudolph like the reindeer.  Do you see the reindeer?
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Friday, January 15, 2010

"Alexandrea" 8"x11" Portrait sketch in oil


Our "Go Figure" Friday group had it's first session today in our new location, Crescent Moon Studio.   The light was good and we had lots of room to move.  Ale is very fair with blonde eyelashes.   She is a great model.
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Wednesday, January 13, 2010

"Stage Fright" 6"x6" oil on canvas


This red and white patterned surface is actually woven handmade paper.   I love the pattern against the plain colors.  The panels I use are gessoboard panels by Ampersand.   I used the smooth surface for a number of months, but now I glue fine tooth cotton canvas to the surface.  Lately before I paint I put on a layer of Grey #6 acrylic as an underpainting.  I think it helps the oil paint flow on more smoothly.   Who knows I might change it next week, but for now that is what my process is.
My blog: http://claudiahammer.blogspot.com
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