Tuesday, March 23, 2010

"The Clipon Invasion" 6" x 6" oil on canvas

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They walked like zombies through the studio, not listening to anyone or seeing anyone.  They moved silently though the night only to appear on the desk the next day.   The person who always seemed to be in the studio was puzzled, "Where did they come from? and How did they get here?"   "Funny, I didn't see them yesterday!"
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Monday, March 22, 2010

"Hindsight" 6"x6" oil on canvas


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It is so good to be back in the studio painting my daily ones!  After I came home from teaching and had lunch, I procrastinated (this is one of my skills) by cleaning and reading an art magazine but around 2:30 I decided to jump in and JUST DO THE WORK!  I was a bit nervous about what was going to come off my brushes so I decided to paint a subject that excites me. 
  
My booth at the Kentuckiana Cluster Dog Show went well and I got a number of commissions for dog portraits.   
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Monday, March 15, 2010

"In disguise" 30" x 40" oil on canvas

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This painting was in my "Monsters in my closet" series. Thought I'd include it today since I was reminded of it by a good friend this morning.  Getting ready for the Kentuckiana Cluster Dog Show and taxes have been my main focus for the last 5 days.   We are setting up the booth tomorrow afternoon for the dog show.    I plan to start my daily paintings up next week when all this is over.  Thank ya'll for being so patient and understanding.
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Friday, March 12, 2010

"Children, children!" 9"x14" pastel, NFS

The title refers to what we were talking about during this session.   There were a couple of times we were all laughing so hard we had to stop painting.   Ahh, the good times.  

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Thursday, March 11, 2010

"Before & After" 6"x6" oil on canvas

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This is a tall bottle of oil that I've been wanting to paint but it is so tall I thought I could not get it on the small 6"x6" canvas until today when I thought, AH HA!   I can look down on it from above.   The jar of olives was tall and thin also so I put them in a small round jar for contrast.
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Wednesday, March 10, 2010

"Oh, Balls!" 6"x6" oil on canvas

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Lately I've been trying to find a place between precision and painterly with my painting style.  I got out numerous objects today but gravitated toward these pool balls.   I find these soothing for some reason.  I found them in a thrift store a few years back.  They're a little nicked and the white of the balls are quite yellowed.   I love the sound they make when they click together. 
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Tuesday, March 9, 2010

"Hammering away!" 6"x8" oil on canvas

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Here is my little family of hammers.   We are all related.   The last Figure class was last night and it was lots of fun, we concentrated on long poses.   I know that Louisville Visual Art Association will have me teach another one.  Everyone did very well and had definite improvement over the course of 8 classes.  All of you were such hard workers!
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Friday, March 5, 2010

"Dee" 5"x7" Pastel on Ampersand pastel board

Available for $100, contact me.
Recently I purchased a sample package of Ampersand's pastel board and today I decided I would try it.   It is wonderful to work on, it really grabs the pastel and holds multiple layers.  I love it.  
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Thursday, March 4, 2010

"West Highland Terrier" 14"x14" oil on canvas, prints also available

Available for $375, contact me.
This has been one of my most popular prints to sell.   The original is still available and there are 8"x8" canvas prints available for $25, 12"x12"- $50, 14"x14"- $70.   They are printed on high quality, water resistant inkjet matte canvas (18 mil.)  All of these are museum wrapped around 5/8" stretcher bars and ready for hanging.   
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Wednesday, March 3, 2010

"Shetland Sheepdog" (Shelty) 12" x 12" oil on canvas

Available for $275, contact me.
Here is one of my many dog portraits that is going to the Kentuckana Cluster Dog show in a couple of weeks.   I've been busy cataloging and finding containers for all the paintings and prints.  A small 8"x8"  canvas print is available and ready for hanging for $25.   If anyone wants one of these prints please contact me by email.
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Tuesday, March 2, 2010

"White coffee" 5"x7" oil on canvas

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Thought I'd do whites again.   The only thing that is pure white is the highlight on the top surface of the marble and a highlight on the cup handle.    The white tablecloth has some orange and pink, and there is some yellow ochre in the reflected light areas.    I couldn't resist putting white cream in the coffee.  Yum!
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Monday, March 1, 2010

"Look Ma! A brussel sprout!" 6"x6" oil on canvas

Available for $100, contact me.

She was so glad that he liked vegetables.   She was confident that when he grew up he would be a fabulous chef, known the world over.....   I could have named it "Dreams".  You may be wondering why I haven't posted that last couple of days, I just have too much on my plate and and not enough hours in the day. 
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Thursday, February 25, 2010

"White out" 6"x6" oil on canvas

Available for $100, contact me.

Well I rushed through this one today and it shows.   My goal here was to do something simple and work on white things.  The reflections of the light source on the bowl and bulb are the whitest things on the canvas. The white fabric seemed very bright and I think I got it too bright.  Well tomorrow is another day!
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Wednesday, February 24, 2010

"Boxer" 12"x12" oil on canvas

Available for $275, contact me.
This painting is larger, a 12"x12" museum wrapped canvas, painted on all sides.  Of course it has taken me longer to do this one.   At first glance it looks like you can use yellow ochre and Winsor Newton burnt sienna to get his color, but noooo!   Beside those two colors I had to get out Holbein mars yellow, Holbein yellow grey, Winsor Newton raw sienna, made a dark brown and black mixtures with ultramarine blue and  WN burnt sienna.   I had paint mixtures all over my palette.  But I think it worked.
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Monday, February 22, 2010

"Totally wired" 6"x6" oil on canvas

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What I really like about this composition are the shadows that each object makes, especially the wire.   The grey metal on each object were slightly different one was cool and one was warm.   
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Saturday, February 20, 2010

"Plumb down" 6"x6" oil on canvas

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Thought these plumb bobs would be interesting.  One is in an old rotten leather holder that attaches to a belt for connivence.   I want to say here that I really appreciate my Followers and Subscribers.   The fact that you look forward to viewing what I paint on a daily basis is what keeps me going.  I really enjoy receiving emailed comments from you, even thought I might not comment back, they always bring a smile, a chuckle and a bit of joy to my day.  Thank you to all.   Some days you are my inspiration.

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Thursday, February 18, 2010

"Lets Bake a pie!" 6"x6" oil on canvas

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I have been wanting to paint this wire blender for a while.  The prongs were a challenge as I expected but what surprised me was the rubber pinch bowl.   That little object took me one and a half hours to get right. Who would have thought!    I'm too worn out to bake a pie now!
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Wednesday, February 17, 2010

"Club Social" 5"x7" oil on canvas

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These roses still look good after purchasing them 10 days ago.   I decided to show them in the glass vase I've have them in.   Here I'm attempting to paint them with loose brushwork.  In order to do this I removed my glasses and this captures pretty well what I saw.   I went for color value and no detail.   Maybe if you remove your glasses it will look good to you too!
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Tuesday, February 16, 2010

"Father & Son" 7"x5" oil on canvas.

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Found these two in my tool box the other day.  I love painting tools and probably have enough to last me my lifetime.  I chose this orange background because the turquoise blue handles pop out.  The father is showing his son how to hold the marble gently but firmly.
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Monday, February 15, 2010

"Bud & Rosie have a tiff" 5"x7" oil on canvas

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Due to a snow fall during the night, I cancelled my class this morning.   You know how some days the painting comes so easily and other days.....this was one of those days.   Setting up took me about 1.5 hours.   Couldn't decide what to paint, nothing excited me.   The roses still looked pretty good so I worked on that.   It was a comedy of errors getting everything right.   My canvas fell to  the floor twice and I accidently touched the rose and it flipped into the air and landed on the floor next to my canvas.  Ready to paint and my easel slipped down 2", by the time I was set up I was thinking I should be done by now.   Started out with high hopes, was going to keep it loose and free.  Towards the end I think I had a few strokes too many.   Although the values look right when I take my glasses off.
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Saturday, February 13, 2010

"Rosy Morning" 6"x6" oil on canvas

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The roses are holding up very well, so I thought I'd do another.  To talk a bit about the composition a minute, the top side of the cup handle where it is attached to the cup is lined up on the 1/3 over - 1/3 down mark and the center of the rose where all the petals come together is on the 2/3 over - 2/3 down mark.   I tried the flower in different positions and finally came up with this solution and I think it balances nicely.  Of course there would be many other composition solutions but this is the one I chose (and I'm sticking to it!)
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Thursday, February 11, 2010

"Bloomin Roses" 6"x6" oil on canvas

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The roses were out from yesterday's set up and I thought "why not do another one".   This time I picked a light blue background and wanted to show the stems in water.  I love how they are refracted.  
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Wednesday, February 10, 2010

"Rosy future" 6"x6" oil on canvas

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I went to the grocery on Monday to get food before the snow came and as I passed by the flowers I noticed these "Garden Roses" (obvious name) and they were so beautiful I thought I could try and paint them.  Brought them home and put them in the refrigerator.   I was thinking that I was really smart in doing so until I saw them this morning and realized that not only did I forget they were in there I also noticed that I did not put them in water.   Fortunately they were in good condition.  I think I recorded too much information on them but they were fun.
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Tuesday, February 9, 2010

"Crystal Clear" 6"x6" oil on canvas

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I've been painting these daily paintings about 10 months now and I am beginning to realize that I like painting some things more than others.   A cup of coffee is one thing I like to paint, maybe it is the circle I find pleasing.   Now that I look at it the marble is a circle too!    
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Monday, February 8, 2010

"Maltese" 8"x8" oil on 3/8" wood panel.

Available for $160, contact me.
Have you ever seen a dog this white?    Amazingly this little dog was this white, of course it was being shown and had to look it's best.     Looks like they had on eye makeup.   The original 8"x8" oil painting  is $150,  an 8"x8" canvas  print is $25,  a 8"x8" paper print is $15.
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Saturday, February 6, 2010

"A good match" 8"x6" oil on canvas, with Demo

Available for $100, contact me.

I chose the dominos on this one because of the color and graphics.  I have a demo of this below.


Demo
Some of you have been asking about my view finder and process.   This is process has evolved from when I started and I was just simply observing and sketching, to what I now do using my view finder.   Some of you might find it helpful, some will find it too much information, some of you will want to delete it and the rest will think I'm off my rocker and should be in the loony bin.  But here goes..

This is my view finder for my square pieces.  I use it for my 6"x6" and it can be used for any square format.  The inside square is smaller than 6x6 it is actually 4.5"x4.5".   I Threaded heavy black button thread through little holes I made on the 1/3 increments.   Taped it off on the back with clear packing tape to reinforce it.  I like this method because there is not clear plastic to distort the image or get dirty.

This is my view finder for my 5"x7" and 6"x8" pieces.    Here again the opening is smaller, it is 5.25"x3.75".  It is constructed in the same way but I now have divided it into 4th on the long side and 3rds on the short side.

This is original view finder before I made the ones above.  You notice that the strings are not there I just relied on the markings on the side and the opening is actually 5"x7".   I quickly found that this was just too big and I could not get the tight close cropping I wanted.   By making the opening smaller worked better for me.   A lot of people use those small grey adjustable view finders which are very useful and are great for travel.

Here is my 6"x8" canvas, it is actually an Ampersand Gessobord that I have glued canvas on and painted Golden Acrylic N6 Neutral Gray for an under painting. (I don't always put the grey on when I do portraits.)    I used to just put the paint marks on the edges (as shown)  but now I put a light pencil line across.  I fine it more accurate.    Today I did both just for this demo.

You can see the two extra marks I have put in place, these are my line up marks for this painting.   When I looked through my view finder at the set up I liked it when the lower edge of the cup rim lined up with the 1/3  down - 1/4 over mark.   I also noticed that the handle of the cup lined up with the 1/3 down - 1/2 over mark.   These are going to be my key points that I look for when lining up the view finder every time I look through it while blocking it in.   After I block it all in (5-10 minutes) I put the view finder down and don't look in it again.

I always start with the place that have the key line up marks.   This time it is the cup.

Then I start branching out and put in marks for the saucer.

I don't know why I put in this picture it seems redundant now!  But here it is.  You will have to excuse the way these pictures look.  They have a fish eye look about them because I was too close and lazy to get out the tripod and set it up behind me so I could zoom in.   Oh Well, now you know I'm lazy.

Using the grid I blocked in the dominos and shadows

I blocked in the hearts because the white color is more sensitive.  (If I were to do the red first it would turn to pink on the edges when I put in the white.)    I blocked in the shadow hearts in the shadow color of white. (some form of blue/purple since the light source is yellow)

Thank goodness the blocking is now done!   Now I get to the painting portion.   Here again I started with the cup because I wanted to establish the yellow white of the cup and shadows.

Blocked in the shadow white.

Painted in the white hearts and started painting the red shadow area.

Painted the light red.   You will notice that I have been painting the "first stroke is the last stroke" method.   In other words when I figure out the color value of each area and stroke, I lay it in that color value so I won't have to go back in and "fix" or adjust it later.   Not to say that I don't do this at times, in fact you will see that I did this a little in the end on this painting.   But for the most part I paint these daily paintings "first is last".

This is the final signed painting.   I painted in the dominos and made some subtle changes in the saucer and cup shadows.    Another 2 hours of my day, I got a painting done and listened to 2 more hours of my  audio book.  (Currently listening to "Dark Angels" novel by Karleen Koen.)

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Friday, February 5, 2010

"Jessica in red" 6"x8" oil on canvas


I tried today to keep the cool side of the face cool and dark enough.   Jessica is such a good model, holds the pose and has such a good attitude.    We had fun today, laughed a lot.   
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Thursday, February 4, 2010

"Mix it up" 6"x6" oil on canvas



Available for $100, contact me.

This was my mother's G.E. mixer from the 50"s and I still use it today when needed.   I chose this view because of the wonderful green on the inside of the bowl and the reflections and shadows cast by the beaters.   I also did a demo of this painting.  See below.   
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"mix it up" Demo

I thought I'd show a demo of doing today's painting because as many of you know I'm always changing and "mixing up" the way I do things.   Always trying to improve what I do, trying to make it better, not always succeeding.  Here is what I've been doing of late.

#1.  I put a layer of #6 grey acrylic on my canvas, over top of the gesso.  This fills in the texture of the canvas and gives me a middle tone to work values on.   Then I lightly pencil in a grid of 2" squares .    This grid coresponds to the view finder that I use.   I make one out of black cardboard and put a heavy black quilting thread on the thirds.   I move the view finder around to block out all the unnecessary noise around the area.   I try to see it as a finished painting.   When satisfied with the composition I quickly sketch in the objects.   This takes about 5-10 minutes depending on the complexity of the layout.

#2.  I start blocking some light values to show form and contrast and some middle tones.  The sensitive colors and/or sometimes the colors that set the mood of the painting.   I mean really, lets get to the excitement!

#3.  On this painting, the bowl had a definite black edge and made such a strong graphic shape in the painting that I wanted to block it in to get the shapes going.  

#4.  I decided to paint in the green and the grey beaters because they are the focus of the piece.  At this point I feel that I'm almost done!  What an illusion!

#5.  Here you see that I've painted in the mixer middle color values and started painting in the background because the colors that are next to one another affect one another.   As many of you know from your color theory studies.

#6.  After covering the canvas I go back and tweak the color values where needed and add a few highlights.

#7.  When I feel that I'm through I sign the painting and then I'm really done.   Except wait!   I left off the highlights on the beaters.  (you will see where I put them in the actual painting that I posted)  Whew!  There is 2 hours out of my day.
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